While reading this paper, I am reminded of a time when I was
in high school. The class was reading Stephen Crane’s short story, The Bride Comes to Yellow Sky. After the
reading, Mrs. Smith opened the classroom up for discussing the possible
metaphors of the text. What followed was a static, dictatorial interpretation
of metaphors: the color yellow is cowardice, the color white represent
innocence, the color black represents evil, and so on. I loved the text while I
was reading it: the irony of the nervous sheriff with his young, fish out of
water bride; the touching glances they give each other; the near comic
exuberance of the villain—the metaphors were there, of course, but what moved
me about the story was the humor and emotional efficacy that Crane pulled out
of these rather slim, archetypical characters. What didn’t interest me, or the
rest of the class for that matter, was the stationary, boring, and rather
irrelevant pinning down of abstract terms found in the text.
Judith A. Langer’s paper provides teachers with a model that creates the opportunity for their students to express their own personal
proclivity towards interpretation. Langer proposes that this be done by giving
them a voice. The way Mrs. Smith taught English robbed students of this opportunity
and in turn robbed them of their idiosyncratic and unique interpretive
abilities: their own voice. We became parrots to the cause of Mrs. Smith’s
rather flaccid hermeneutics.
What I did not know at the time, unfortunately, was that my method of interpretation was not wrong—but I thought it was. I believed that the static metaphors were the point of the story and that the emotional affect on me was muted by other, more important factors. With Langer’s model this crisis of interpretation I experienced would have been avoided and my own personal experience of the text would have been rewarded.
What I did not know at the time, unfortunately, was that my method of interpretation was not wrong—but I thought it was. I believed that the static metaphors were the point of the story and that the emotional affect on me was muted by other, more important factors. With Langer’s model this crisis of interpretation I experienced would have been avoided and my own personal experience of the text would have been rewarded.
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